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Abstract

This paper describes Bharatnatyam as a mode of non-verbal communication, on average, the properties, how it communicates, and to some extent why and what it communicates. The intentions of the communicator dancer and Choreographers are related to those of the attractive and reactive public. The thesis compiles a survey of textual sources pin pointing the unique communicative abilities of dance, as an artistic, expressive and meaningful form of non-verbal communication establishing suggestions of the ways it may be universally communicable. Dance is one of the biggest and most exclusive forms of non-verbal communication. In dance, the human body is used as a medium or tool that transforms itself into a sense of meaning from the source of movement. This article is not only a means of communication from language but also a lot of symbolic and didactic stories, emotions and so on.

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